“If Georges Bataille were a queer living in San Francisco in 2012, this could be xem, building and dismantling gender, that is, building and dismantling form itself. j/j hastain is writing a no-holds-barred break-neck love song that conflates the meaty and the sacramental. Here is love’s avid desire for detail, and love’s sacred, impossible overflow.” —Robert Gluck [...]
LRL e-editions is thrilled to bring Beverly Dahlen’s first three books back to print in a single volume: Out of the Third (Momo’s Press, 1974), A Letter at Easter: To George Stanley (Effie’s Press, 1976), and The Egyptian Poems (Hipparchia Press, 1983). Also included are Robert Duncan’s afterword to the Hipparchia edition, as well as [...]
See Tsering Wangmo Dhompa’s write up on this book at the Harriet blog. “It was more like an impressionist portrait than an identification photo” writes Sarah Mangold in this book woven through the writing of early 20th century literary innovator Dorthy Richardson and the contours of contemporary poetics. Taking her title from a line in [...]
In David Brazil’s ECONOMY a meditation takes shape as prosody, and the material trace of that effort is everywhere in evidence. Such a scrap heap of thought in facsimile might at first be reminiscent of Francis Ponge’s notational practice in The Making of the Pré. However, in Brazil’s pré/conomics the field’s littered with home furnishings: [...]
In this, the fourth book from Pattie McCarthy, repetition marks the coordinates of maternity and childhood. Divided into two sections, the first “Liminal” opens between the death of a father and the speaker’s pregnancy. “…it’s easy to disappear/ completely into it. masses of flowers” McCarthy writes while rendering a figure neither wholly swallowed by grief [...]
“It’s as if a mirror came flashing up–and then off again: reflection then opacity … and then a space (depth) of desire.” –Laura Mullen (on Campbell’s The Maximum) In this second collection, Campbell’s richly minimal poems come once again, as poet Zack Finch has written, “sieved out of turbulence,” pressed to the point that each [...]
“We receive, but how do we speak?” writes Brian Mornar in Three American Letters. Part poetics, part physical manifesto and essay, Mornar takes on the lyric in the gleaming line between urban and outskirts, between speech and movement, in American poetry: “…always on a string between the farm and the city finds reassurance in this [...]
This book contains a group review of Michael Cross’s Haecceities (Cuneiform, 2010). (Purchase a copy of Haecceities here.) The discussion was conducted via email between 9/10-2/11. Participants were David Brazil, Thom Donovan, Brenda Iijima, C.J. Martin, Kyle Schlesinger, and Jamie Townsend. Also included in this volume is Taylor Brady’s unabridged jacket copy for the book [...]
When new titles are available for download/purchase, they will be linked in the list below. (Please use the “Our Catalog” menu at the foot of this page for individual author pages.) j/j hastain — The Yet to be Pronounced Pronouns DOWNLOAD PURCHASE Beverly Dahlen – The First Three Books [...]
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Sounded through a persian rug (or snagged carpet) of google searches, Mathew Timmons pries apart how we receive and process sensory information. As if search alerts themselves were as much mirror as atomized prosthesis, Timmons replicates a pattern attuned to static in the gaps — one that signals the subtle difference between Sound and Noise [...]
“In the case of Vietnam, what is a reference” writes Michael Palmer over 20 years ago in the context of a different war and different time. In Any Time Soon, Frym writes from the reality that “there is no post war” or external context from which to view our current saturation. Language occurs in the [...]
In Remembrance of Things Plastic, Eléna Rivera charts a path between cultural displacement and the hyper-pull of consumer images. Migrating from the strictures of girlhood (“Marooned in a room the size of a dollhouse”) through the acculturation implicit in Garbo’s eyebrows, Rivera laments the social split between self-hood and the feminine body — the insurgent [...]
Filtered through Ponge’s approximate presque, the pre of the ”Ding an sich,” this collaboration between Tina Darragh and Marcella Durand writes and rewrites the endlessly rewritten eco-/ego-poetics of our moment. All too human, these bellwethers appeal to the sentient and non-sentient, repeal the very sentences they parse into phrases, and limp toward, having lost or [...]
“In writing that excites its forms with cultural complexity, Divya Victor challenges what otherwise goes unremarked in the regenerate exceptionalism of US American poetics. In work that pulses with playfulness and sober restraint, the hard facts of immigration and the skills required for global citizenship are ensnared in a global economy of production and consumption [...]
“In Do the Monkey Norma Cole celebrates a vibrant life of the mind and body. The Olympics come up, along with other sports, and it turns out that we citizens of ordinary life are the true Olympians. This quotidian heroism is suggested by lines from “HEAVY LIFTING,” — “At eight I was brilliant with my [...]
In Darkness, Yedda Morrison erases—or, significantly, “whites out”—chapter 1 of Conrad’s Heart Of Darkness leaving behind only the words and phrases that reference the natural world. Morrison’s aim is not to comment on the original, but to cull or reframe the remains: “luminous estuary / brooding gloom / sea.” In this brilliantly dark contribution to [...]
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Stripped down to what sticks, the patterns that emerge from these discreet accretions are as satisfying to the ear as they are to the eye. Modular lines are the daily grind; finding their way to work and reworking their ways, potshards and particulars have an inexplicable emotional edge, an edge that has little to do [...]
J/J Hastain — The Yet to be Pronounced Pronouns
Beverly Dahlen — THE FIRST THREE BOOKS
Sarah Mangold — I MEANT TO BE TRANSPARENT
David Brazil — ECONOMY
Pattie McCarthy — L&O
Sarah Campbell — EVERYTHING WE COULD ASK FOR
Brian Mornar — THREE AMERICAN LETTERS
Group Review of Michael Cross’s HAECCEITIES
Catalog
LRL Textile Series
Little Red Leaves
Mathew Timmons — Sound Noise
Gloria Frym — Any Time Soon
Eléna Rivera — Remembrance of Things Plastic
Tina Darragh & Marcella Durand — Deep eco pré
Divya Victor — SUTURES
Norma Cole — Do the Monkey
Yedda Morrison — Darkness (Chapter 1)
Purchase
Ted Greenwald — Permenant Record
May 15, 2013 in Uncategorized
Head over to the Harriet blog to read Tsering Wangmo Dhompa’s piece on transparency in Sarah Mangold’s LRL e-edition chapbook, I Meant to be Transparent.
August 3, 2012 in Authors, Books
Recently, textile editions author, Jared Hayes, and e-editions author, j/j hastain, discussed everything “from scalp to crotch” (words from Denise Levertov that they engage at length). Enjoy!
July 18, 2012 in Authors, Books
LRL e-editions is pleased to launch a new book of collage poems by j/j hastain! Here’s what people are saying about The Yet to be Pronounced Pronouns:
“If Georges Bataille were a queer living in San Francisco in 2012, this could be xem, building and dismantling gender, that is, building and dismantling form itself. j/j hastain is writing a no-holds-barred break-neck love song that conflates the meaty and the sacramental. Here is love’s avid desire for detail, and love’s sacred, impossible overflow.” —Robert Gluck
“Whether it’s he or xe…of the yet to be pronounced pronouns, there’s one thing I’m sure of: while the pronouns might not yet be, what is certainly, forcefully here already is a sense of the atomic forces that lie buried within our wider programming. Of gender; of social form, of virility caught in its code. Hastain breaks these apart, not as categories, but as strings of language itself, as pure image. I see this as a bit more than a book–kind of a larger action whereby Hastain releases charged, energies into the frame, turning their blurry fury as gently in the hand as a baby bird’s feather. And damn the science. Companionable but aching, explosive and tenderly hilarious, this is a catastrophic, new bravery.” —Brandon Downing
Remember, all e-editions are available as free downloads, BUT if you purchase a copy, the proceeds will go to a different small press each year (for 2011-2012, it’s Chax Press).
February 19, 2012 in Authors, Books, Uncategorized
LRL e-editions is thrilled to bring Beverly Dahlen’s first three books back to print in a single volume: Out of the Third (Momo’s Press, 1974), A Letter at Easter: To George Stanley (Effie’s Press, 1976), and The Egyptian Poems (Hipparchia Press, 1983). Also included are Robert Duncan’s afterword to the Hipparchia edition, as well as a new interview with Dahlen about her early work. With these long out-of-print publications newly accessible, readers can mine the formative explorations that open onto Dahlen’s life work, A Reading. According to Duncan in his afterword: “The creative field addressed, worked, and kept at work in Out of the Third, A Letter at Easter, and the present set of Egyptian poems sets into motion resonant elements in my own poetic consciousness so that I hear new harmonics. She has deepened my apprehension of the oracular voice in Poetry…”
February 12, 2012 in Authors, Books
LRL e-editions is pleased to announce the publication of Hugo García Manríquez’s Painting Is Finite and Sarah Mangold’s I Meant To Be Transparent – two books which, in taking their cues from other mediums, turn the language of the portrait inside out:
October 9, 2011 in Uncategorized
The editors of LRL e-editions are thrilled to announce the launch of new books from David Brazil and Pattie McCarthy!
For those who haven’t heard, this time around, we’re changing things up a bit:
FROM NOW ON, ALL PROFITS FROM THE SALE OF PRINT-ON-DEMAND BOOKS IN THIS SERIES WILL BE DONATED TO A DIFFERENT SMALL PRESS EACH YEAR. First up: Chax Press. So, any purchase of a print-on-demand title from this series during 2011-2012 will have the added benefit of helping to support the efforts of Chax!
Please feel free to browse the catalog to date and stay tuned for new books from Sarah Mangold and Hugo García Manríquez–as well as one monumental reprint from Beverly Dahlen!